How does Act 1, Scene 1 prepare the audience for the love theme of Shakespeare’s “Twelfth Night”?

function 1, Scene 1 prep bes the auditory modality for the rest of Shakespe bes Twelfth Night by introducing the central theme of hunch over which prevails end-to-end the play. Orsino, Duke of Illyria is immediately established as bingle of the protagonists, and it is clear that cognize is all he is willing to think about.Orsino is indulging him self intellection of be intimate, scarcely he is preoccupied with his throw re executes, and doesnt take into account those of the object of his affections, Olivia. He has declared his love for Olivia, which sets up the plot parameter between them.Love PoemFor Orsino it was love at front most(prenominal)-year sight, which he explains through parable when one of his Lords, Curio, tries to change the subject to hunting. He explains by saying that when he first saw Olivia he was turned into a hart, and compares his desires for her to fell and cruel hounds that Eer since act me. Shakespeare has taken this idea from the Greek fa lsehood of chipaeon. In the legend, interpretaeon was out hunting when he came across Diana, God of Hunting, bathing naked as a jaybird in the river. She turned him into a stag, and thence his own hounds hunted him down and killed him. Shakespeare has employ this idea to show Orsinos sense of self importance by how easily he preempt imagine himself in the mapping of Actaeon.Despite claiming to be this deeply in love, Orsino is sending his courtiers to woo Olivia on his behalf. As he is the Duke, he doesnt go himself because he doesnt want to risk the embarrass handst of be rejected in person.In the first scene Valentine returns from Olivias country estate with the answer he received from her handmaid. He was non allowed in to talk to Olivia in person, as he was told Olivia was mourning the death of her chum salmon by refusing to leave the house for septet years. He was told that for those seven years desire a cloistress she will veiled walk of life and that once a day s he would weewee her chamber round with eye pique brine. This means she was planning on wearing a veil as a closed order nun buoy would, and cry in her bedroom all day. To do this for seven years seems to be a disproportionately long time, at that time the more than normal stay of grieving was six months or a year. Olivia has plunged into grieving with the same haste as Orsino has into love.The way in which Olivia grieves is in unembellished contrast to that of the other female protagonist, genus Viola. At the time the play is set, it would have been hard-fought to be an independent wo manpower, as most wowork force were looked after by their husband, family or employer. two(prenominal) Olivia and Viola have been put into this feature by the death of their brothers, but they both cope with it in different ways. composition Olivia becomes withdrawn, Viola, although initially devastated, immediately takes constructive action to get out in the realness and take control of he r own strong being. She constructs a plan with the help of the tribal chief to become Cesario and disguise herself as a eunuch (a castrated male servant with a high pitched voice) to go to serve the Duke.You can read in any case Audience Adaptation PaperOlivia becomes certified on the only remaining men in her life, but who are besides the wrong sort of men. These men are Malvolio, her head servant, her uncle Sir Toby Belch, a drunkard, and Sir Andrew Aguecheek, Sir Tobys imbecile friend who he has brought to the household as a suitor for Olivia. She is letting her servants run the household for her and Sir Toby and Sir Andrew are getting outdoor(a) with the heavy drinking and unaccountable behaviour that would normally have got them thrown out the house. These are the only men she has seen since the death of her brother, so when she sees Viola/Cesario she locomote for her, because compared to the men she has been with Viola/Cesario would seem to be perfect.One theme whi ch is touched upon in the first scene and later recurs end-to-end the play is that love is seen to be destructive. succession in the first scene Orsino claims that when he first saw Olivia he thought she purged the air of pestilence, Olivia talks of the iniquity in Act 1, Scene 5 as destructive. She says even so cursorily whitethorn one catch the abomination? to tell Viola/Cesario that she is falling in love. By comparing it to the plague she shows she does non want to fall in love, but is going to do nothing to resign it as she says well, let it be. some other comparison made to illustrate loves destructiveness is with the sea. Orsino over again uses metaphors to make his point, comparing love to the sea. He says that the spirit of love notwithstanding thy capacity, Receiveth as the sea. What he means is that his love has the capacity of the sea, but nothing that enters retains its value, the sea and his love both destroying everything. He echoes this image in Act 2, Scene 4 saying that his love is all as hungry as the sea, and can compiling as much. In this scene, Shakespeare consciously echoes the words of his opening theme.In Act 2, Scene 4, Orsino extends to ponder the nature of love as he does in Act 1, Scene 1. He is questioning Viola/Cesario on who it is she has loved. She is trying to hint that it is him by saying they are of his complexion and his years. Orsino thinks that men are fickle and that Viola/Cesario shouldnt love a woman older than herself. He says our fancies are more giddy and unfirm, more longing, wavering sooner lost and worn, than womens are. He is saying that men are shallow, and that they will lose interest when a woman loses their looks, so men should ceaselessly marry younger women.In Act 1, Scene 1, he shows how hard it is for him to donjon interest, even when he is so in love it is all he can think about. The very first business concern of the play is If music be the solid food of love, play on. Orsino wants the mu sic to percolate thoughts of love, he wants more. In the last line of the scene this is also shown, when he says away before me to sweet beds of flowers love-thoughts lie adequate when canopied with bowers. He wants to maintain his heightened steamy state and he needs it to be artificially induced because eventually he will be doing it because he feels he has to, rather than because he wants to. He wants to continue in this state until The appetite may sicken and so die.